2023 November, All that remains: RESIDUAL MOMENTS, Aperture Room, Toronto

2022 October, Water Babies, Spacemaker 2 Gallery, Toronto

2021 December, Gunilla’s work screened as part of Going where we are not supposed to but is oh so good – TSV 50th Anniversary screenings, Charles Street Video, Toronto

2021 November, The Artist Cookbook Vol. 2 & Shared Plates, one-of-a-kind drawing and cookbook edited by Carrie Perreault, Toronto

2020 October, All That Remains, Nuit Blanche Online 2020, 401 Richmond youtube, Toronto

2020 June, The Waiting Room, Art Initiative, Stockholm School of Economics, Sweden

2019 October, I love You, as part of Powerplant Festival Act 3, Experimental Directions, Drawings, Expressions and Visions, Fylkingen – New Music and Intermedia Art, Stockholm, Sweden

2019 Sep–Nov, Undomesticated, Koffler Gallery, Artscape Youngplace, Toronto

2018 Sep–Oct, Ouroboros, St Anne’s Anglican Church, Toronto

2018 August, Art Thieves, Toronto Media Arts Centre, CSV Gallery, SummerWorks Performance Festival 2018

2017 Apr–May & Sept, Time Site & Lore, collaboration between 4 culture-historical museums and 5 Central and West Jutland sites, Denmark. Part of Aarhus 2017 European Capital of Culture

2017 Feb–Apr, Gunilla Josephson: Houses & Whispers, Prefix Institute of Contemporary Art, Toronto

2016 September, Gunilla Josephson: Houses & Whispers, Rodman Hall Art Centre, solo exhibition, St. Catharines, Canada

2015 January, Ryerson Image Centre, RIC, Toronto

2012 October, Gunilla Josephson RETROSPEKTIV, Factory Media Centre, Hamilton, Ontario, Canada;

2012 May, E.V.E Absolute Matrix, Canadian Cultural Centre in Paris for Museum Night in Paris [Nuit des musées]

2011 October, Mommy’s Crystal Tears: work in progress, The Box Salon, Toronto

2010 Jan–April, E.V.E Absolute Matrix, MacDonald Stewart Art Centre, Guelph, Ontario (solo)

2010 May 29–31, E.V.E Absolute Matrix, Musée Quesnel Moriniere: Triennal[e] Montmartin Sur Mer 2010, Coutances, France, Cinéma de la Plage, Hauteville sur Mer, France; WAYWARD, and SAW Video/ Video Cache, Montreal, research creation project consisting of temporary online showcases launched at GIV, at a one-night screening. Online screening November 10–December 24, 2010.

2009 November 21, New Canadian Video, Mueso de Arte Nueva, Buenos Aires; November 20, Dragging my camera down the stairs, Vtape, Toronto; September–October, Great Dolly Zoom, produced by Twochange, Stockholm, FHP Touring Exhibition, Sweden; June–July, Vaches, Musée Quesnel-Moriniere, France; 7–19 April, Bio RIO, Stockholm, Great Dolly Zoom, J. Tobias Anderson, Kira Carpelan, Jason Dee, Debora Elgeholm, Gunilla Josephson, Marius Mörch, Jesper Nordahl, Johan Thurfjell; 4 April–2 May, E.V.E Absolute Matrix: (solo), world premiere, Toronto International Images Festival/Trinity Square Video; 13–27 March, Vtape Curatorial Incubator, v.6: THE DARK ARTS: magic and intuition, Toronto.

2008 14 September, Hello Ingmar: Stockholm Cinematheque, Sweden; 21 November–13 December, Art Thieves/Invasions: Festival les Boréales, St Lo/Caen, France (solo); October 30–December 5, Modular Nature: Sandor Ajzenstat, David Armstrong-Six, Eric Glavin, Ernest Harris Jr, Gunilla Josephson, Kristiina Lahde, Gareth Licthy, Andreas Rutkauskas, Art Gallery of Mississauga, Ontario; 18 March, Rivoli/The Boxsalon, Toronto, The Assassination of Leon Trotsky as Told by Anton Chekhov; 10 April, Toronto Alternative Arts and Fashion Festival.

2007 The Factory: Hamilton Media Arts Centre, Ontario, Canada,  Photophobia 9 – Naked Vision.

2006 September 22, La Grande Expérience for Scotiabank Nuit Blanche in Toronto, MaRS Building Atrium; My Lies, 3 videos by Gunilla Josephson, 6 June- Archive Gallery Inc., Toronto (solo); 14.12.05 – 29.01.06, Projections, The Blood-Red Heart of Johanna Darke, Musée d’Art Contemporain de Montréal (solo).

2005 Resistance, Southern Alberta Art Gallery, Lethbridge, Canada (solo); Rencontres internationales, Paris/Berlin, The Swedish Cultural Centre in Paris, France (solo screening); The Blood-Red Heart of Johanna Darke, UQAM/ICI Conference, Montréal, Quebec (solo screening); The Toronto International Festival for Independent Film and Video; Rendezvous With Madness Festival, Toronto; Curatorial Incubator 2, Vtape, Toronto; Moderna Museet, Stockholm, Sweden.

2004 The Canadian Cultural Centre in Paris, France (solo);  The Sydney Film Festival, Australia; The New Zealand Film Archive, International Cinemateque, Wellington, New Zealand. How to Be a Woman, Desire, The Toronto International Festival for Independent Film and Video (IMAGES);  Short and Small,  Moving Images Centre, Auckland, New Zealand; Death and Small Gods, October 1-4, TAAFI, Drake Hotel, Toronto; New Toronto Works, Pleasure Dome, Toronto; Do the wrong thing, Centre for Art Tapes, Canada; I Have a Typewriter in my Head, November 6, 2004, Picton Cinefest, Ontario, Canada.

2003 Home Show, Winnipeg Art Gallery, Canada; Let’s Get Physical, Herland film and video festival, Calgary, Canada (screening); Dissected Dreams, SAW Video, Ottawa; Palpate, Archive Inc. Gallery, Toronto; Happy House. The Id, the Kid and the Little red Fireman, (solo), South London Art Gallery, London, UK; The Toronto International Festival for Independent Film and Video; Why I am not a Zulu, Multimedia Performance with Lewis DeSoto, organized by The Power Plant, The Rivoli, Toronto; The Apple Videos 1-13, Video Pool, Winnipeg, Manitoba; I Have a Typewriter in my Head, March 25, York University, Toronto; Mount Saint Vincent University Art Gallery, Canada.

2002 Mox Nox in REM, Free Speech TV, Boulder, Colorado, USA; The Toronto International Festival for Independent Film and Video. I Have a Typewriter in my Head,  Signal & Noise, Festival of Video and Sound, Video Inn, Vancouver, Canada. Hello Ingmar,  Kino Xenix, Zurich, Switzerland. Hello Ingmar, Diagonale, Graz, Austria. Changing Times, Time Changes, MSVU Art Gallery (Mount St Vincent University), Halifax, Canada.  Found Objects/ GentleTransformation, Harbour Front Galleries, Toronto. Hello Ingmar, The 15th Stuttgarter Filmwinter, Stuttgart, Germany.

2001 Hello Ingmar, Oberhausen International Shortfilm Festival, Germany, (Awarded Festival Prize); 6 November. How to be a Woman, Live-Wire Acts: About Performance, organised by The Power Plant, The Rivoli, Toronto; Hello Ingmar, The Toronto International Festival for Independent Film and Video, The Apple Videos, A_Level Gallery, Toronto (solo). Happy House. The Id, the Kid and the Little red Fireman, Art System Centre for New Media, Toronto (solo); Hedda’s House, 9 videos by Gunilla Josephson, Art Gallery of Mississauga, Canada (solo); Kasseler Dokumentarfilm und Videofest, Kassel, Germany;  Moving Pictures Festival of Dance on Film and Video, Toronto; Winnipeg Film Group, Manitoba, Canada (screening). Petit Mal in Venice, Head Frame, Video and Performance Presentation, Venice, Italy; Blinding Light, Vancouver, BC (screening). Hello Ingmar, Dissected Dreams: Available Light Screening Collective, Canada; University of Victoria Libraries, Hello Ingmar, Purchase.

2000 (Loco)motive. UK/Canada Video Exchange Program 2000, curated by Catherine Elwes and Lisa Steele; Hull Centre for Time Based Art, UK. Videographe, Montreal, Quebec;  LUX Cinema, London, UK. Hello Ingmar, The Independents, Cinematheque Ontario, Toronto;  Poetic Narratives, Art Gallery of Sudbury, Canada; Hello Ingmar, The Toronto International Festival for Independent Film and Video.

1999 Canadian Currents, video & new media, The Goethe-Institut, Toronto; Taste of Landscapes, Novisad, Yugoslavia (screening); Video Archeology Festival, Sofia, Bulgaria;  The Monstrous Feminine, Massage v 5.0, Web Video Broadcast, Washington DC, USA; Chorus of None, New works in Sculpture and Video, Gallery Leena Kuumola, Helsinki, Suomi/Finland (solo); (Loco)motive, Screening and panel discussion, Southern Alberta Art Gallery, Canada; (Loco)motive, Narratives in Motion, (solo) Archive Inc. Gallery, Toronto

1998 Wild Raspberries, Femmedia, The Independent Film and Video Festival, Stockholm, Sweden; Crosseyed, Toronto; MOX NOX in REM, collaboration with Lorna Mills; Glendon Gallery, York University, Toronto, Topographies of the Skin: Charting the Interface.Charles StreetTSV I